"Wonderful Revelations": Scottish Art at the Venice Biennale and the Strategies of Innovation and Reputation, 1897-1899

Authors

  • Marie Tavinor Christie's Education, London

DOI:

https://doi.org/10.23690/jams.v2i4.50

Keywords:

Art Market, Venice Biennale, Glasgow School, Glasgow Style

Abstract

This article examines the introduction of two waves of Scottish artists at the newly-founded Venice Biennale in 1897 and 1899 and considers how the Venetian venture negotiated the need to innovate with the imperative to build up its own reputation. Using hitherto unpublished archival material, it touches upon a number of issues regarding marketing practices, art market flows and the consumption of art at the international level.

Author Biography

Marie Tavinor, Christie's Education, London

Lecturer, Christie's Education

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Published

2018-12-14

How to Cite

Tavinor, M. (2018). "Wonderful Revelations": Scottish Art at the Venice Biennale and the Strategies of Innovation and Reputation, 1897-1899. Journal for Art Market Studies, 2(4). https://doi.org/10.23690/jams.v2i4.50

Issue

Vol. 2 No. 4 (2018): Artist on the Market

Section

Articles

License

Copyright (c) 2018 Marie Tavinor

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Except where otherwise noted, the Journal for Art Market Studies is licensed under the Creative Commons Attribution-Non-commercial 4.0 International license (https://creativecommons.org/licenses/by-nc/4.0/). Articles can be read and shared if attribution is given to the original source (BY) and the use is not for commercial purposes (NC).