Vol. 2 No. 3 (2018): Asian Art: Markets, Provenance, History

Articles

• Guest Editorial

  Gilbert Lupfer

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• Introduction

  Christine Howald, Alexander Hofmann

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• How to furnish a Palace. Porcelain acquisitions in the Netherlands for Augustus the Strong, 1716-1718

  Ruth Sonja Simonis

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• Exhibiting and Auctioning Yuanmingyuan ("Summer Palace") Loot in 1860s and 1870s London: The Elgin and Negroni Collections

  Louise Tythacott

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• Private Collection as Collective Operation: Art Dealers’ Impacts on the Formation of the Van Horne Japanese Ceramic Collection

  Akiko Takesue

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• Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent

  Ai Fukunaga

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• Emporio Janetti Padre e Figli and the Japanese Art Market in Florence in the Second Half of the Nineteenth Century

  Massimiliano Papini

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• Buying and selling East Asian art during the first decade after the October Revolution in 1917: museum purchases in Moscow

  Anna Pushakova

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• On the Relevance and Potential of Auction Catalogues as Sources for Art Market Research on Asian Art

  Britta Bommert

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• The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)

  Patrizia Jirka-Schmitz

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• Provenance Research into the Collection of Chinese Art at the Museum Rietberg: Switzerland and the transnational history of the art market and art collections

  Esther Tisa Francini, Alexandra von Przychowski

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• Finance, Taxes and Provenance: A German Museum Acquisition of Chinese Antiquities in 1935

  Ilse von zur Mühlen

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• East Asian Art in the Gurlitt Collection: Tracing the Relationship of Objects and Actors

  Nathalie Neumann

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• Well-Advised by Friends: Philipp F. Reemtsma’s East-Asian Collection

  Silke Reuther

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• Genesis of an Auction Sale Category: Sotheby's Inaugural Auction of 'Contemporary Chinese Art'

  Anita Archer

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